Author Archive for Pinko Punko

Mandos Indirect Fish Attack

Published
by
Pinko Punko
on September 3, 2010
in *BOOP*, Foodstuffs and Out and About
. 2 Comments

At DorD!!!!!

How Do You Know?

Published
by
Pinko Punko
on August 23, 2010
in *BOOP*
. 55 Comments

The copy of the dusty old Necronomicon you found in the creepy old half priced cursed book outlet is legit:

“Chapter 1: “Human Centipede” jokes, humor and dining china”

Also, instantaneous and unspeakable madness and unheard silent screaming. But mostly the above.

Axis of Bacon

Published
by
Pinko Punko
on August 5, 2010
in *BOOP*
. 32 Comments

#kathleentwitterfail

Published
by
Pinko Punko
on July 26, 2010
in *BOOP*
. 9 Comments

How could it fail to bring us this?

Fixing the Internets

Published
by
Pinko Punko
on July 25, 2010
in *BOOP*
. 11 Comments

With apologies to Sadly, No Investor Services.

Matt Yglesias writes a post titled “The Kind of Liberal I’m Not” and we think he has the wrong title.

We propose, and Photoshop this in your minds, or ask BP to do it for you:

“The Kind of Not a Liberal I Am”

Better.

Fantastic

Published
by
Pinko Punko
on July 24, 2010
in Cobags and Pitchfork
. 11 Comments

I don’t mean to pick on “Pitchfork’s” Philip Sherburne, but sometimes his reviews are collossally wankapottamus. I simply have to laugh at the sick joke his eMusic bio is:

Electronic

San Francisco critic Philip Sherburne has been heavily involved in the electronic-music world for the past seven years, writing for publications including the Village Voice, Slate, XLR8R, URB, Wax Poetics, Grooves, Nylon, RES, Neumu.net and many others — including The Wire, where his “Critical Beats” column offers a monthly roundup of experimental dance music. Philip has also written on sound art and avant-garde practice for Frieze and Parkett, curated the companion CD for Leonardo Music Journal’s 2003 issue, and given talks at SFMOMA, PS1, Tate Modern and the MUTEK festival. A book chapter on classical minimalism and minimal techno is forthcoming in Christoph Cox and Daniel Warner’s Audio Culture: Readings in Modern Music (Continuum Press). As a DJ, Philip holds regular nights in San Francisco, and has performed in New York, Austin, Portland, Seattle, Montreal and Barcelona.

Any particular website missing?

I don’t think you get to drop the turds you do in the ‘fork while simultaneously distancing yourself from their brand, Sherburne. You are their brand. Don’t write for them if you don’t want to admit it. I don’t pile on the ‘fork for their obnoxious scenesterism, nor the fact that it is of course the cool thing to do for scenesters to act hipper-than-thou than the-hipper-than-thous (like Pitchfork’s very own writers), because once somebody talks about the cool thing on the broader internet, it instantly becomes passé. I crap on them because of their tremendous disdain for their audience. Never wanting to appear to pitch it to the masses, they pitch it to the masses while keeping the masses at arms length with novelty seeking and a complete lack of self-awareness.

I can’t wait to meet 90 year old Nate Patrin- “yeah, I wrote one or two reviews for some site, I can’t remember what it was called. It wasn’t even blow money.”

UPDATE: Phil S. writes in comments that this bio is an artifact, hence the neumu ref and no Pitchfork. Up with the Fork! PS does not diss.

New Markets

Published
by
Pinko Punko
on July 21, 2010
in 'baggery, *BOOP* and Flights of Fancy
. 21 Comments

This could be the Crystal Pepsi of Battle Rap, trying to break into the cricket market:

You bring the bat to me
you lose your openers before tea

My leg break have you in mysterious jinx
You be in serious sh*t by drinks

You can’t handle my fight
You be begging for bad light

You think you have a total to build upon?
Before you know I be enforcing the follow on

Before you can tell me to stick it
You’ll be stuck leg before wicket

I swear

Published
by
Pinko Punko
on July 12, 2010
in *BOOP*
. 17 Comments

I never knew who played this, but this song is just so unbelievably Oakland. How can these people be Scottish? I only think of Oaktown when I hear this. Also, what a great logo. ONTO THE JEAN JACKET

UPDATE:

Endless love for the ‘tubers:

Kenny G playing the above

Highest Rated Comments

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TheFlightsimfan
2 months ago 3
his tenor sound is kind of bad.
TheFlightsimfan 2 months ago 3
*
getyourbreckerismson
7 months ago 3
is it just me or did he rip off all of sanborns licks from the recording they did together of this song?
getyourbreckerismson 7 months ago 3

see all
All Comments (18)

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coolsax64
4 days ago
@TheFlightsimfan You are right. He always sounds the same. Always using the long tones and the circular breathing thing.Big deal…
coolsax64 4 days ago
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Vapor419
6 days ago
Forget Kenny G that trumpet player was awesome!!!
Vapor419 6 days ago
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Fili2009able
1 week ago
nice version , I like it a lot !
Fili2009able 1 week ago
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L33R0YJ3NKlN5
1 week ago
They ruined the song..
L33R0YJ3NKlN5 1 week ago
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Sarc37
1 week ago
Leave it to Kenny G to fuck up a great song.
Sarc37 1 week ago
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gwgatling
2 weeks ago
Comment removed
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acglass
2 weeks ago
@getyourbreckerismson If he did then good for him, sax players learn from each other. Realistically it;s just the vocabulary, Kenny sounds great but it’s all in the standard sax catalog.
acglass 2 weeks ago
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madbonjovifan
3 weeks ago
Kenny G can you be any whiter?
madbonjovifan 3 weeks ago
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MCGEHEE1
2 months ago
Superb…5 Stars!
MCGEHEE1 2 months ago
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estrelazulbrilha
2 months ago
LINDO LINDO LINDO XD! ^_^ Beijos doce em seu coração!

Thunderwagon Style Photo Post

Published
by
Pinko Punko
on July 12, 2010
in Out and About
. 22 Comments

Rock down to, etc.

Only car hop beer service in AR

It is Mr. Weenie Time. Snag is jealous, the shirt is mine

Stimmelators. Please enjoy the Comic Sans based website

Pilchers!

Oh fish

Published
by
Pinko Punko
on July 9, 2010
in *BOOP*
. 3 Comments

My goodness.

Bad Behavior has blocked 884 access attempts in the last 7 days.