PITCHFORK *CHECK PLEASE*

Relevant

UC chastised me for participating in Le Pitchfork’s People’s List, where everyone got to vote for their favorite albums from Pitchfork’s existence. They said they’d take all the data and present it in super cool ways. Instead, they show some top 20 lists parsed by some geography and a few questions (most listened to genre). For the whole shebang they give the top 200 albums on a nice looking page and a graph where they break the thing down by albums from year with a table or so about some of the data. They just seemed like they failed. Where they succeeded is I assume some information harvesting app because they required voting through social media sites. Who knows. UC and I kind of had a group vote- we traded suggestions back and forth with arcane rules for vetoes etc.,

Suggestions for what would have been actually cool:

1) Top 1000 or even 2000 albums- nothing in the top 200 is surprising so much, but it would be interesting to know what albums were in the next pockets of interest (since there were tons of albums voted for) and a great way to remember some albums that have maybe fallen off.

2) Top write-in albums (bunch of well known albums were not in their database) UPDATE- OOPS- they did have this one. This was a little bit sad because these should have been in the database- I would have liked to see how many of the top 200 were suggested in their pages for the top rated albums- perhaps a little selection bias maybe

TOP-VOTED WRITE-IN ALBUMS
PAVEMENT BRIGHTEN THE CORNERS
REFUSED THE SHAPE OF PUNK TO COME
LAURYN HILL THE MISEDUCATION OF LAURYN HILL
BRAND NEW THE DEVIL AND GOD ARE RAGING INSIDE ME
PULP THIS IS HARDCORE
QUEENS OF THE STONE AGE RATED R
DEFTONES WHITE PONY
JAY-Z REASONABLE DOUBT
BEASTIE BOYS HELLO NASTY
PAVEMENT TERROR TWILIGHT
THE WHITE STRIPES DE STIJL
BLUR BLUR
DELTRON 3030 DELTRON 3030
OUTKAST ATLIENS
DR. DRE 2001
SLEATER-KINNEY DIG ME OUT
MUSE ORIGIN OF SYMMETRY
THE VERVE URBAN HYMNS
MUSE ABSOLUTION
JIMMY EAT WORLD CLARITY

3) Distribution of rankings for albums in the top 20 at least (kind of like how IMDB lets you look at distribution of scores for movies- and then gives some demographic breakdowns).

4) A selection of some people’s number 1s that didn’t make the top 200 and their comments. People’s comments were a nice feature. I presume they harvested a ton of comments from people on albums they love, yet they only used 10 of them. It is nice to see regular people write about stuff without trying too hard (™ Grayson Currin writing about metal, Ian Cohen writing about re-releases, maybe anyone at Pitchfork?).

5) They had one small list of albums that scored OK but had no number 1 votes. That was interesting. They could have had more breakdowns along these lines.

6) Maybe geography by state instead of two entries for NYC (holla Brooklyn!)

11 Responses to “PITCHFORK *CHECK PLEASE*”


  • Delicious or disgusting?

  • Chuckles would say NO MAYO

    I am SLATHERED in Mayo.

  • That list was incredibly boring and Pitchforkian.

  • I know- I guess it is fine that all of the albums were expected, but there was so much more there that they could have excited us with- just sharing a lot of people’s passion on the margins. One interesting thing is that I feel that “In Rainbows” is excellent and I think I was a little surprised to see it pretty universally accepted as excellent. Also, Electric Version got screwed!

    Also, did you note what a sausage festival the voting was?

  • If I hadn’t seen it was a people’s list, I wouldn’t have guessed it was different from Pitchfork’s regular lists. Validation may be comforting but it is never entertaining.

    It would have been interesting to slice the #1s differently, like listing all the #1 albums that got exactly three votes or something. Or most popular albums that had never appeared on a Pitchfork list of any kind.

  • I have some pitchfork hate on one of my posts that PINKO COMPLETELY IGNORED.

    More proof, if any is required, that he doesn’t really exist.

  • Maybe it was too much for me to take???

    Again, I don’t fault the albums that got the votes- they are the most popular albums- that is fine. Interesting that In Rainbows was as high as it was (I agreed with that), but didn’t know that the general public felt that way. They were so proud of their year’s work and what, they were limited by server space or something? The feature should have been like an old school Rolling Stone double issue.

  • Pinko is abstract, zrm. Like a concept album that never gets finished.
    ~

  • Porkulus Snorkulus

    Yosef Battles the Pink Grapefruit Chupacabras

    The bootlegs have all sorts of titles like that.

  • I am desperately wanting the Pitchfork List of Top 100 Pitchfork Lists.

    Also, anyone who likes Muse is a Full-Time Care Provider. I know this is a 100% factual claim, not a Ryanian Factual Claim, because everyone I know who likes Muse is a Full-Time Stay-at-Home Father/Mother. Muse is my kryptonite, except instead of weakening me, Muse makes me angry, I leave the room, and then fall asleep thirty seconds later regardless of location or shoe condition.

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